Friday, May 28, 2010
3-Day Weekend!
Wednesday, May 26, 2010
Film Update - Playground, Wendy & Lucy + Moar!
"While traveling to the Philippines in 2001, filmmaker Libby Spears gained first hand knowledge of the horrific practice of trafficking human beings for the purpose of sexual exploitation..." This film is about prostitution in the United States, and often about the Northwest (where I live lolz).
So is this like Marley & Me?/10
Ip Man (pronounced Eep Mon) is a fictional/sort of nonfictional depiction of the life of Ip Man, a reknowned practicioner of Wing Chun fighting and a mentor to Bruce Lee. The film picks up during the Japanese invasion of China (those jerks!) and the Man (or is it Ip?) family falls into poverty. There's a lot of drama and *gasp* the story here is actually really solid.\
Monday, May 24, 2010
A Peek Into Gutter Trash's Past?!

"James Jarvis vs. Stussy 2010 Spring" Looking Extra Fresh!
Sunday, May 23, 2010
East Coast Throwdown 2 Wraps
Friday, May 21, 2010
Summer, Japan, Music. All in One!
Sunday, May 16, 2010
Moving Out Delayin' My Postin'
Currently Playing:
Ugetsu (1953, dir. Kenji Mizoguchi) follows two money-crazed farmers during the 16th century (qualifying this film as Jidaigeki, perhaps) as they seek fortune through pottery production while their wives look on in dismay. Initially, we could assume that the male characters' actions are negatively affecting the women and children of their families and that would be correct. They continuously endanger their families thanks to their huge desire to obtain as much money as they can, perfectly seen when an opposing faction invades their village, and the two men risk capture in order to check on their pots still baking in the kiln.
However, Ugetsu doesn't just follow the traditional melodrama format when it comes to gender. Perhaps the women have been victimized at the beginning (culminating in the slaying of Miyagi, Genjuro's wife) yet when Genjuro and his farmer buddy Tobei make it to a large town and sell their wares, Genjuro becomes enchanted by the ghost of a young wealthy woman. Perhaps, in this way, Mizoguchi desired to depict the females' (and in this way, also Japan's) revenge upon those who had for so long victimized them. She traps this man, not physically, but with her beauty and wealth, thereby victimizing him instead of the other way around!
Ugetsu is one of those films that I certainly wouldn't have seen without being assigned it in a class, as it doesn't really go with my typical tastes. However, it quickly grew on me as the camera work here is really interesting (the final shot where Genjuro returns home to an empty house which then suddenly fills), and the story has a kind of nostalgic nature to it being a folk tale. If it were to have been intended for American audiences, some of the scenes could have been trimmed but it's quite enjoyable. I also enjoyed how this style of Jidaigeki was not interested in Samurai (though Tobei was), but instead the poorer more common folk that you otherwise wouldn't see in other more popular films.
To add to this shitty assignment, I'd like to say that Japanese women back in the 50's were so. not. attractive. Or, if they were, someone wasn't casting them in these movies. Goddamn. GODDAMN. This enchanting ghost that Genjuro (the main character) falls for had me going:
I give it:
Ghosts Gone Wild/10
Sunday, May 9, 2010
Mother's Day, Another Day
Friday, May 7, 2010
Fiction Friday is Better Than Yo Momma's Flapjacks
Tuesday, May 4, 2010
Tuesday Means Another Update [Sometimes]
Dinner time tonight was spent catching up on the past two episodes of The Office since I always forget to tune in on the actual days. Save me from the "Omg the Brits did it better" comments you won't be leaving, as I already know that but whatever. I marathon'd all of the previous seasons a while ago, so I need to convince myself that it wasn't a huge waste of time.
At the same time, Jude Law isn't Watson. Shut up, he isn't. At least he had the limp, and though I enjoyed his charming smile and everything, I still don't think he was right for Watson's character.