I've returned to tell you about something I've just started doing, and something that is becoming pretty darn fun now that I've got it going. I'm talking about, of course, this gaming YouTube account I've created to put up Street Fighter and Modern Warfare 2 matches that I play or think are special enough to be watched by others. Obviously, you care about none of this, but I thought I'd mention it. If you ever get the need, you can head over using this link.
Now, back to our scheduled programming.
The Other guys (2010, dir. Adam McKay)
What can I say? Marky Mark and Will Ferrel, Michael Keaton, Samuel L. Jackson all in one movie would make the average viewer think that this flick couldn't help but be awesome. However, it turns out that it's just really bad. Anyone can tell you that I've not been a fan of Will Ferrel since Anchorman, when it seemed like he decided to check out mentally while making movies, or the writers started sucking, or the plots became too out-there... or something. In any case, Will Ferrel hasn't really made any good movies lately, so that was red flag one. Semi Pro was sad, Talledega Nights was vomit-inducing, and I can't even think of anything else he's done worth mention as of late. Where is the Elf Ferrel that isn't afraid to be funny? He's not the problem in this movie, though perhaps his character is a bit too weird for my tastes (a lot of the 'comedy' is quite forced in scenes between he and his partner), he managed to make me chuckle a couple of times.
Second, Marky Mark doesn't seem like the kinda guy who could do comedy, and it really shows here. There are countless scenes where his character, Detective Terry Hoitz, goes from a regular conversational tone to outright yelling perhaps only to convey that his character is 'mad' at his partner. Why Wahlberg couldn't make the transition from normal to angry more subtly I do not know, but I wish he had. It makes for a lot of scenes to be unbearable, and Marky Mark rarely earns a laugh.
Third, whoever came up with Michael Keaton's "jokes" (with the exception of the Bed, Bath and Beyond meeting scene) should be fired. The guy's whole gag about his son being a bisexual is both strange to begin with and completely unfunny, but also bordering on offensive. Unfortunately for the audience, we experience that and a handful of other running jokes more times than I'd care to mention, each time growing less and less amusing.
Let's not talk about Samuel L. Jackson and The Rock's little portion of the film, their only purpose to be over the top and outrageous, which works for a small portion of time, and the action scenes in the beginning of the film are quite enjoyable. Then, of course, they go back to the office and the terrible jokes start, followed by an inexplicable plot twist that allows for Ferrel and Wahlberg's characters to move up and attempt to fill the massive void left by the now-deceased duo. I suppose that's a spoiler, but it won't matter since you shouldn't see this movie.
I'm not usually one to really rag on a flick, and I do indeed dislike when other 'critics' spew bullshit when criticizing a movie, but let's be honest; if a comedy doesn't make you laugh, it isn't worth seeing. That's all I'll say here, I may have chuckled a few times, but I wish I could've just got a refund.
Hope you like prison food... and penis/10
Unbreakable (2000, dir. M. Night Shyamalan)
I've always been sort of divided on Shyamalan as a director. On one hand, I really enjoy some of his work while at other times totally cannot get behind what he's making. For instance, his latest horror movie Devil didn't appeal much to me other than hoping it might be his return to good film-making. Unfortunately, I've heard it's pretty bad so I'll be staying away at least until it hits DVD.
In any case, Unbreakable is my favorite work of his, and something I actually want to rewatch a few times (the same cannot be said for The Happening). Bruce Willis and Samuel L. Jackson in a movie about real-world 'Superheroes'? Sign me up. What I think works here is that there's no really big reveal like you might see on a television show or classic superhero movie, and Bruce Willis certainly doesn't run off to buy himself some tights and go out to fight crime. In fact, I think Willis's struggle with the reality of his situation, and the slowly-paced way in which he struggles to accept what special talents he's been given make this movie so special. Yes, Watchmen handles a different kind of Superhero tale extremely well, and I only mention that because I think the two have some comparable ideas, but here it feels much more authentic. I was pleased that there weren't any goofy trial-and-error sequences and instead the audience was given scenes of marital issues or Willis's son pointing a gun at him to prove that he doesn't get hurt, or the over-persistent Jackson weirding out the normal security guard who has a special knack for weeding out the bad guys in line.
The performances from the main cast, with the exception of Elijah's (Samuel L. Jackson) mother, go off without a hitch, solidifying our faith in the writing (which can be a bit... bad). Jackson plays Elijah's comic-obsessed insanity so well, it seems almost genuine. The way he captures the 'comic nerd' demeanor so well helps me to believe his character, coming from someone who has read comics most of my life. He and David (Willis) have great scenes together, easily the best in the film, where the two reluctantly (at least on David's side) become friends as David develops his skills and realizes what his true purpose in life is. Even the Shyamalan twist is good, and one I found pretty unexpected my first time through. See this movie.
What's with Shyamalan and water?/10
Next post I'll talk about The Town, music, and more! Look out for it, cuz I said so!
GT